Showing posts with label commissions. Show all posts
Showing posts with label commissions. Show all posts
Thursday, 15 December 2011
Blackwork Commission
Apologies for being dreadful at updating my blog recently, have been uber busy with stitching! So, back in May I received a blackwork commission for the fabulous couple who run 4 & 20 Blackbirds, who are a group that demonstrate authentic historical cookery, and I have to say there food is absolutely delicious!! Here's a link to their facebook which I recommend that you check out - https://www.facebook.com/pages/4and20-Blackbirds-bringing-historical-cookery-to-life/181236131901644 . I was commissioned to make two sets of blackwork collars and cuffs for them to wear with their posh Tudor outfits. We spent a while deciding on patterns and in the end we settled on this one from the Blackwork Archives - http://blackworkarchives.com/art/lace2.gif. I modified the pattern slightly, left out the crosses and the extra bit on the top of the pattern, as I thought this would make them a bit to wide for their purpose. A work in progress shot - The thread of this linen was incredibly fine, which made counting it rather difficult and time consuming. In order to get a straight and uniform look with my blackwork, I always count the thread of the linen as I find this gives me the most precise results. It is embroidered with silk thread from the Silk Mill - http://www.thesilkmill.com/default.asp The finished cuffs - There is over 60 inches of blackwork in total, which worked out as to nearly 120 hours worth of stitching - I think. Sort of lost count after I reached the 100 hours mark!!! The completed set was handed over at the end of October, and I am now very much looking forward to seeing the blackwork in use on their costume :D :D And here is the finished set - Vicki.
Labels:
Blackwork,
commissions,
costume,
embroidery,
linen,
silk,
Tudor
Monday, 18 July 2011
Roses, Roses, Roses!
About a week and a half before a Tudor event I did in June I was asked if I would be able to make 8 Tudor Roses for use on a Yeoman of the Guard Tudor Livery jacket. There were 4 jackets, and a rose was required to adorn the front and the back of the livery. It was decided the make the roses out of wool, and applique all the sections onto a piece of linen. I think the most time consuming section was actually cutting out all of the pieces needed - 8 linen squares, 8 red roses, 8 white roses, 40 green leaves and 8 gold centres!! I spent most of that day surrounded by an ever growing pile of material.
After all the cutting out I set to work pinning down all the pieces so that I could get sewing! All the sections are stithced down using two strands of thread.
The centre of the leaves are embroidered with some silk thread from the Silk Mill, and extra detail has been added to the petals of the white rose. In the centre of the flower gold thread has been couched down. Here's a pic of the finished rose.
And a shot of the finished article on Adam's Livery jacket at the Blickling Hall event.
(The livery jacket was made by Prior Attire and is not my work. You can find Prior Attire here - http://www.priorattire.co.uk/ )
All in all it was a bit of a mental time trying to get these finished in the time I had!! After getting the phone call I had work for several days. I tried to find some suitable fabric in Bath, but the so called fabric shops there are pretty rubbish for decent quality material, and the prices are often ridiculously expensive for the quality you are getting! In the end material was sent out to be from off cuts of the livery. This arrived 5 days before we set off for the event. During this time I was moving house, repairing my costume, and on a mission to make as much blackwork as possible for the event. Pretty much the whole journey in the van to the event was spent sewing them and frantically trying to get them finished in time. 4 were totally finished by the Saturday morning, and the 2 more finished by the Sunday. I then thankfully, had another week and a half to finish the last two. Mental times!! If I'd had more time I would of fancied them up a bit more, but oh wells :)
Vicki x
After all the cutting out I set to work pinning down all the pieces so that I could get sewing! All the sections are stithced down using two strands of thread.
The centre of the leaves are embroidered with some silk thread from the Silk Mill, and extra detail has been added to the petals of the white rose. In the centre of the flower gold thread has been couched down. Here's a pic of the finished rose.
And a shot of the finished article on Adam's Livery jacket at the Blickling Hall event.
(The livery jacket was made by Prior Attire and is not my work. You can find Prior Attire here - http://www.priorattire.co.uk/ )
All in all it was a bit of a mental time trying to get these finished in the time I had!! After getting the phone call I had work for several days. I tried to find some suitable fabric in Bath, but the so called fabric shops there are pretty rubbish for decent quality material, and the prices are often ridiculously expensive for the quality you are getting! In the end material was sent out to be from off cuts of the livery. This arrived 5 days before we set off for the event. During this time I was moving house, repairing my costume, and on a mission to make as much blackwork as possible for the event. Pretty much the whole journey in the van to the event was spent sewing them and frantically trying to get them finished in time. 4 were totally finished by the Saturday morning, and the 2 more finished by the Sunday. I then thankfully, had another week and a half to finish the last two. Mental times!! If I'd had more time I would of fancied them up a bit more, but oh wells :)
Vicki x
Sunday, 17 July 2011
Cuffs for Kathryn Howard
Before Christmas last year I was asked to by a close friend to make some cuffs for part of her new Kathryn Howard outfit. We spent quite a lot of time researching patterns for this project, as we were keen to get the period of the blackwork as accurate as possible. After much discussion we decided to combine blackwork used in two different portraits. The first being a portrait of Jane Seymour by Holbein -
From this portrait we used the blackwork band from around the edge of the cuff. I managed to find a better quality close up version of the cuffs, which enabled be to see the pattern in more detail, and re-draw it. After several tries at getting the size if the pattern correct I found one that worked well.
The second portrait is one believed to be of Kathryn Howard herself -
From this portrait we used the thin vertical bands that radiate in towards the wrist. The only versions of this painting I could find were all very low quality so I was unable to exactly copy the pattern used, and therefore decided to base mine on one found in the Janet Arnold: Patterns for Fashion 4 book. I drew the whole thing up on graph paper, and then set to stitching.
It's stitched on linen, with black silk embroidery thread from the Silk Mill. After getting started on the design there was much discussion on how long these cuffs should be. We eventually decided to make them just over double the length of the wrist measurement. I have a feeling they were around 18" long, but the paper this was written has evaporated into the sea of packed boxes whilst moving.
I was working on these on and off for several months, but when I had the time to focus on just them, the cuffs came along quite quickly. Here's some pics of the finished design -
And a close up -
Overall I am really happy with how the combination of the two patterns turned out. After finishing the embroidery I gave the lengths of embroidered material to my friend who was going to make them look more cuff like. The material was pleated into a cuff band and neatened up around the edge. The first time I saw the finished article was at the event at Blickling, and it was great to see them in use as part of such a beautiful costume.
(Gown was made by Prior Attire - http://www.priorattire.co.uk/)
(Rings on show were made by Gemmeus - http://www.gemmeus.com/)
Thanks for reading, Vicki x
From this portrait we used the blackwork band from around the edge of the cuff. I managed to find a better quality close up version of the cuffs, which enabled be to see the pattern in more detail, and re-draw it. After several tries at getting the size if the pattern correct I found one that worked well.
The second portrait is one believed to be of Kathryn Howard herself -
From this portrait we used the thin vertical bands that radiate in towards the wrist. The only versions of this painting I could find were all very low quality so I was unable to exactly copy the pattern used, and therefore decided to base mine on one found in the Janet Arnold: Patterns for Fashion 4 book. I drew the whole thing up on graph paper, and then set to stitching.
It's stitched on linen, with black silk embroidery thread from the Silk Mill. After getting started on the design there was much discussion on how long these cuffs should be. We eventually decided to make them just over double the length of the wrist measurement. I have a feeling they were around 18" long, but the paper this was written has evaporated into the sea of packed boxes whilst moving.
I was working on these on and off for several months, but when I had the time to focus on just them, the cuffs came along quite quickly. Here's some pics of the finished design -
And a close up -
Overall I am really happy with how the combination of the two patterns turned out. After finishing the embroidery I gave the lengths of embroidered material to my friend who was going to make them look more cuff like. The material was pleated into a cuff band and neatened up around the edge. The first time I saw the finished article was at the event at Blickling, and it was great to see them in use as part of such a beautiful costume.
(Gown was made by Prior Attire - http://www.priorattire.co.uk/)
(Rings on show were made by Gemmeus - http://www.gemmeus.com/)
Thanks for reading, Vicki x
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